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Post by Sparkina on Sept 27, 2012 14:45:53 GMT -5
The Famous Studio cartoons sometimes played with stereotypical gender behavior patterns, as when one of the fellas would go all Artemus Gordon and don feminine attire as a disguise, or in Puppet Love, when Popeye sported a Hollywood-glamour-queen red pedicure. However, I noticed that the gender-bending motif was, while quite subtle, very prounounced in the Island Fling.
I noticed that though Robinson Bluto, as I will refer to him here, was strong, manly, handsome, and bewhiskered, he had some qualities and aspects that were traditionally thought of as feminine.
a -- he really, really wanted to be partnered. b -- he read romances c -- he had a hope chest (remember those? They did exist in real life back in the day, but it was usually ladies who had them rather than gents)
Also, am I the only one who thinks -- as in Shape Ahoy -- that during the dinner scene, when a famished Olive exclaims "Oh, good, oh, good, it's food, it's food," and gasps over each dish, it's not just nutritional sustenance she desires, but also to feel cared for?
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Post by ramapith on May 26, 2013 6:06:48 GMT -5
Also, am I the only one who thinks -- as in Shape Ahoy -- that during the dinner scene, when a famished Olive exclaims "Oh, good, oh, good, it's food, it's food," and gasps over each dish, it's not just nutritional sustenance she desires, but also to feel cared for? Absolutely. Poor Oliveāas best interpreted, she's less fickle than indecisive, and only because her two suitors are such messes. She needs to settle down with someone...
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